Writer(s): Animating Democracy Staff
Date of Publication: Nov 22, 2021
Animating Commonwealth has highlighted eight notable weblog salons on ARTSblog, covering topics that range from humor'south underlooked role in social progression to the intersection of excellence and equity in arts and cultural practices.
Author(south): Holo, Selma
Date of Publication: November 17, 2021
Animating Democracy invited museum studies scholar Selma Holo to write an article from ideas and themes she found compelling at the Animative Democracy Learning Exchange held in Seattle in May 2002. Her article responds to the arts-based borough dialogue work of the three museums participating in the Animating Democracy Lab--the Andy Warhol Museum, the Jewish Museum, and the Henry Art Gallery at the University of Washington--comparing it to other museums whose efforts have intersected with the sphere of borough ideas and issues.
Author(s): Bacon, Barbara Schaffer; Korza, Pam; Williams, Patricia E.
Date of Publication: 2002
This commodity explores the role that museums tin play in expanding opportunities for autonomous participation through civic dialogue and engagement. Published inMuseums and Communities Toolkit, American Clan of Museums.
Author(south): Lacy, Suzanne
Date of Publication: 2002
In November 2001, artist, writer, and educator, Suzanne Lacy participated in an Animative Democracy Learning Exchange in Chicago. She joined more than a hundred artists, cultural organisation leaders, community partners, and scholars from around the country who were involved in arts-based civic dialogue work, about through the Animative Democracy Lab. In the shadow of September 11th and stimulated by artist Marty Pottenger'southward exploration of the meaning of U.S. citizenship at the gathering, Lacy considers anew what it means to participate as an artist in civic life. Her essay, &ldquo
Writer(s): Americans for the Arts
Date of Publication: December 2005
Representatives of the 12 small and mid-sized organizations participating in Americans for the Arts Exemplar Programme convened in Dec 2005 in Santa Fe New Mexico. Recognized for outstanding cultural piece of work in their communities and in the field based on their participation in Animating Democracy and the Working Capital Fund, the groups explored topic areas related to aesthetic investigation, institutional health and capacity, and civic date. From the convening, a report was compiled highlighting the event from beginning to finish. With implications for the entire field, the
Author(s): Whang, Vanessa
Date of Publication: February 2008
In the jump of 2004, an bearding donor made a five-yr souvenir to underwrite the National Black Arts Festival's (NBAF) use of venues on the The Robert W. Woodruff Arts Centre's campus—which includes the Alliance Theatre, Atlanta Symphony Orchestra, High Museum of Fine art, and Young Audiences. The souvenir (and its forthcoming expiration) served as the impetus for NBAF to explore possible means of working with The Woodruff that would institutionalize a relationship of common benefit and raise the sustainability of both organizations.
Author(southward): Shephard, Mikki
Date of Publication: Feb 2008
To build organizational capacity and provide sustainability, the National Black Arts Festival (NBAF) lath and executive staff leadership considered a range of various strategies. Contempo discussions between NBAF, the Woodruff Arts Heart (The Woodruff), and local supporters resulted in a sustainability strategy that would consider a more formal relationship between NBAF and the Woodruff. With this strategy on the table, a research process was launched by NBAF to survey and learn more about the long-term relationships of other arts organizations to inform the negotiation and
Writer(s): Gilbert, Judith E.; MacDonell, Martha Southward.; Weis, Mary F.
Date of Publication: 2008
This case report documents Sojourn Theatre Company's intervention at Lima, OH, Senior High School following a tragic shooting in 2008 that resurfaced racial tensions in the community. Lima City Schools enlisted Allen Canton Mutual Threads, a locally based volunteer group promoting arts-based borough dialogue and Sojourn Theatre Company to implement an immediate arts-based project to help students process the tragedy. Sojourn interviewed students, and wrote, performed, and recorded theatrical monologues expressing student perspectives on the incident and the racial tensions exposed
Author(s): Chew, Ron
Date of Publication: 2009
Amid changing demographics, a new political climate, technological advances, and globalization, pocket-sized and mid-sized community-based arts organizations offer artistic excellence and innovation, astute leadership continued to community needs, and important institutional and engagement models for the arts field. As value-based organizations, they are purposeful and have a sustained commitment to fundamental values related to cultural responsibleness, ethical practices, and respectful relationships. Attuned to significantly changing demographics, they honour both cultural legacies and hereafter
Writer(s): Stern, Mark J. and Seifert, Susan
Date of Publication: June 2009
Grounded in a contempo strategic plan, the Tucson Pima Arts Quango is moving to advance civic engagement in the metropolis and canton through its programming, funding, and partnerships. As part of Animating Democracy'south Art & Civic Engagement Impact Initiative, and in addition to the qualitative focus reflected in the evaluation inquiry with Maribel Alvarez, TPAC wanted to know what concrete measures are reasonable to use to understand the civic engagement furnishings of its work every bit an agency. The objective of the collaborative inquiry with Mark Stern and Susan Seifert of the Social Impact of
Author(south): Jackson, Maria Rosario and Malpede, John
Date of Publication: 2009
Los Angeles Poverty Section (LAPD) is a Skid Row-based theater organization, founded and directed by creative person John Malpede. LAPD has distinguished itself past its longstanding commitment to making alter in L.A.'due south Skid Row community, peculiarly regarding the homeless, through theater-based civic engagement work. Many take observed LAPD's apparent potent effects on individuals and on social relations in Skid Row, and acknowledge its contributions to influencing structures, systems, and even policy. As part of Animating Democracy's Arts & Civic Engagement Impact
Author(southward): Stewart, Shannon
Engagement of Publication: January 2011
In towns all across the United States, young people are using music and art to brand interesting, creative, and positive things happen in their communities. They are punks, rappers, educators, singer-songwriters, artists, and community organizers who carve out prophylactic creative spaces for people to come together. This paper past Shannon Stewart characterizes youth-based music organizations that are fostering civic appointment through music. Stewart provides a current view of these groups as preface to the 2007 All-Ages Motility Project Project Report. The All-ages Movement Projection (AMP), a network
Writer(south): Lobenstine, Lori
Date of Publication: January 2014
Equally a long-time activist and co-founder of the Boston-based Design Studio for Social Intervention (DS4SI), Lori Lobenstine discusses making meaning and creating change in the public sphere through the integration of social justice strategies with art, pattern thinking, and social do. Offering several examples from DS4SI's own work, such as the Grill Projection and Public Kitchen, likewise as other domestic and international examples, she describes the creation of an energetic, new, third space—1 where activists and artists come together with a shared agreement of the
Writer(south): Korza, Pam
Engagement of Publication: June 2013
This newspaper synthesizes key insights from MicroFest: USA—part festival, part learning exchange—orchestrated in 2012–2013 by the Network of Ensemble Theaters (NET) to take a fresh look at the roles of art, civilization, and artists in creating healthy vibrant communities. MicroFest shone a light on a spectrum of cultural production, including ensemble theaters, that is traditionally under the radar in official or conventional creative placemaking strategies, but that constitutes a disquisitional office of the cultural ecosystem. This paper draws from the experiences and dialogues of
Author(s): Allen Jr., Eddie B.
Date of Publication: 2012
Every bit a Detroiter and a announcer who has covered the city's urban equally well as cultural affairs, Eddie B. Allen, Jr. brings a gentle local heart to surface questions that deserve a hard look as MicroFest traverses its next locations. Allen zeroes in on participants' examination of the role of arts inside the justice system and in edifice sensation and fostering dialogue about issues of the justice arrangement, a system he has followed personally and as a concerned citizen and announcer. While the "transformational value" of fine art for those incarcerated was affirmed and
Pages
0 Response to "Civic Dialogue Arts Culture Findings From Animating Democracy"
إرسال تعليق